A rare Farukhabad Gat (in Tintala) transmitted through the classical Guru-shishya parampara

 

This composition is structured on a three-by-three bol pattern, meaning that each bol is repeated three times in succession. The entire composition consists of ten bols in total. This specific rhythmic form is known as a “Gat.”

 

I had the privilege of learning this Gat directly from my revered father and guru, the late Keshab Changkakati. It was described to me as a Gat of exceptionally high caliber within the Farukhabad Gharana tradition. This Gat continues to be transmitted through the classical guru–shishya parampara (teacher–disciple lineage), reflecting the deep continuity of traditional pedagogy in Hindustani percussion practice.