Disobedi

Ravello Calling: Safeguarding Living Heritage — Ancient Kāmrūpī-Saṃgīt on a Global Stage

Ravello Calling: Safeguarding Living Heritage — Ancient Kāmrūpī-Saṃgīt on a Global Stage

Dilip Changkakoty Heritage Study

This is to place on record that I, Dilip Changkakoty , Expert Member of the International Scientific Committee on Intangible Cultural Heritage [ICI…

THE RESONANT FOOTFALL OF KĀMARŪPA: Nepur as Ritual Pedal Idiophone and the Esoteric Office of Dāina-Pāli in Vyās-Saṃgīt

THE RESONANT FOOTFALL OF KĀMARŪPA: Nepur as Ritual Pedal Idiophone and the Esoteric Office of Dāina-Pāli in Vyās-Saṃgīt

Dilip Changkakoty Vyah Ojapali

[A field note and reinterpretation from the living tradition of Vyās-maestro Shri Abani Sarma and his Chief-Accompany Shri Joy Chandra Sarma - 30th…

Mudrādhyāya: Discovering India's Living Heritage through Ancient Hand Gestures

Mudrādhyāya: Discovering India's Living Heritage through Ancient Hand Gestures

Dilip Changkakoty Heritage Study

Introduction India is famous for its rich cultural heritage. While we often think of temples, monuments, and sculptures as our heritage, there is…

Two discoveries: Makum Fossil and Nagaland Cave

Two discoveries: Makum Fossil and Nagaland Cave

Dilip Changkakoty Heritage Study

The Makum Fossil Discovery: Time beyond Human History (Photo courtesy X) We think these two discoveries—although seemingly unrelated—are actually h…

Sonic Singularity in Assamese Khuṭi-Tāla: Preliminary Observations Based on the Video: Viya Gowa Ojapali – Jāgar Gīt

Sonic Singularity in Assamese Khuṭi-Tāla: Preliminary Observations Based on the Video: Viya Gowa Ojapali – Jāgar Gīt

Dilip Changkakoty Vyah Ojapali

(Performance done Vyas Maestro Barun Sarma and his party) 1. General Observation The cymbal is not functioning as a simple time-keeping instrumen…